“We understand the locker rooms; we understand what happens after defeat and after injury – after all, we’ve been injured ourselves,” A wonderful piece from brilliant directors Michel & Nico at Merman for this month’s shots Sports feature. #merman #directingduo #sports
“I see ewanme, sitting in the middle – we bring the experience and talent you would find at a top end facility; from editors, colourists and VFX artists etc and introduce them directly to our clients, working on anything from a TVC to online content at a fraction of the cost” LBBonline – Little Black Bookchatted to Ewan MacLeod on many changes facing post production. Read all about it here…
Super. Human. The epic new campaign from Channel4 for the Paralympic Games Tokyo 2020 explores the sacrifices made by Paralympians to pursue their dreams of being champions. Edited by Amanda James at Final Cut, directed by Oscar-nominated cinematographer Bradford Young ASC with Serial Pictures X Somesuch and 4Creative. #superhuman
“What I always loved about producing was the fact that no matter how much experience you had, there was something new that you had to learn in order to get the job properly done”. Wise words from INNOCEAN Berlin’s Fabian Barz in conversation with LBBonline – Little Black Book in this month’s Production Line.
Congratulations to Final Cut winning Editorial House of the Year at Ad Age A List 2021 for the second year running! So well deserved ??
“It was such an ambitious script too, wanting to make something artful and something that felt curated from that footage.. it was actually a terrifying thought! But I knew deep down that it could turn out amazing”.
Ryan Beck at Final Cut talks to shots about his recent project with Vans, and how to cut a music video with a crew of 500! Check out the article below.
An important campaign from INNOCEAN Berlin and AMBER Alert Europe on International Missing Children’s Day fighting online grooming. Please watch and pass on. #checkbeforeyouchat
Suffering broadband rage? BT is on hand in their latest film edited by Sam Bould with Final Cut, directed by The Sacred Egg and Riff Raff Films and Saatchi & Saatchi.